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# of Interpretations for Pug: 3 E-mail Aaron with your own video interpretations.

Setting: Secret agent movie...in the winter time. Its night out...everything is black and dark blue.

"Kiss and kill me sweetly..."

Billy's got a tux and a big gun. He's with D'arcy, dressed up sexy, who gives him a kiss then slips some drugs into his drink. He passes out and she drags him out to a swank looking sportscar. She peels away with the passed out Corgan in the trunk.

"Inside where its warm..."

Shows the band playing together inside infront of fireplace or something. Billy has his back turned to D'arcy and she looks upset.

"desire...."

Back to the movie...D'arcy drives to the evil James' hideout where James is blackmailing her. Thugs drag Billy through the snow and toss him on the ground at James' feet. James has the typical bad-guy duds on. Billy gets a good kick to the chest before James leans over to whisper a secret...

"Inside..."

Back to the band playing, Billy's and James are giving eachother evil looks...looking rather humerous.

"Please don't change"

Billy gets taken into a small cell...D'arcy feels guilty and goes back to see him. Billy looks all pathetic, so D'arcy tries to free him. Billy feels sold out but knows she had no choice. They make it back outside into the cold.

"Outside where I'm torn in two"

James catches up with Billy and D'arcy and D'arcy gets shot...Billy doen't know if he should pick her up or leave her behind.
He goes to get her, presses a button on his watch and a helicopter appears overhead. Pilot Jimmy throws down a rope ladder and Billy escapes.

By: Chris Roy : chriswroy@hotmail.com

Note: I probably watch too many James Bond movies for my own good. :)


(Intro Music)

As the music starts the camera pans over a crowd inside a theater and focuses and a young teenage couple. The movie ends and they leave thebuilding.

(Kiss and kill me sweetly, come and drive me home)

The camera then cuts to a scene where he is driving her home. As they come to her door they kiss goodnight.

(Drag the miles in me, I am yours alone)

The girl now inside with a dreamy look of lust and young love, holds a picture of him and smiles a smile of content.

(Inside where it’s warm wrap myself in you)

She lies on her bed while holding a picture of him in her arms. She closes her eyes and falls asleep. The camera draws in closer to the picture of him.

(Outside where I’m torn, Fight myself in two in two into you)

The camera then cuts almost seamlessly to the boy. You see him at a party drinking beer.
He is talking with another girl.

(Desire me so deeply, Drain and kick me hard, Whisper secrets for me, Try to go too far)

You see the boy and this new girl making out. Another girl passes the doorway of the bedroom and looks surprised. She runs and grabs the phone. Small clips of the action flicker off and on at the same time as clips of the boy’s girlfriend sleeping at home.

(Inside where it’s warm wrap myself in you)

The camera stops switching between the two scenes and stops with the girl waking up to the sound of the ringing phone. A look of distress crosses her face.

(Outside where I’m torn, Fight myself in two in two into…) You see the girl go into a fit of rage, she starts smashing everythingin sight.

(Please don’t change, Please don’t change at all, Bring your rain, Bring your rain to fall)

You now see the girl stop and stare at the picture she had held so affectionately earlier.
The camera does another close up of the now cracked picture.

(Inside where it’s warm wrap myself in you)

The camera then shifts again to the boy. He is walking out of the house while others still at the party are either passed out in the lawn or just sitting around.

(Outside where I’m torn, Fight myself in two in two into you)

Again the camera shifts to the girl who is now staring at a handgun.

(Come and kiss me sweetly, Ride the telephone, Drag the miles to me, I am your alone)

The sun rises, no cars are on the street and all is quiet on a Saturday morning.
Suddenly a car zips past the camera like a bat out of hell.

(Yours alone on the telephone, Yours alone looking for a kiss kiss,yours alone)

You see here walk into his room, take the gun out and point it intohis face. The camera turns to the door of the boy’s parent’s bedroom.
Two distinct gunshots are heard.
You see his parents run to his room, as they open the door they burstinto tears.
A final camera shot of the girl shows her holding the picture of him, still tightly in her hand.

By- Shawn McLain gish99@yahoo.com


song starts with a house with one floor of rooms, there are three of them. its neon green. there is a member of the band in each room. D'Arcy is in a room with about 8 different body building guys faning her with palm leaves and she is naked except for the palm leaves covering her various parts. james room is actually the opening to a cliff where the camera likes to go when the nifty guitar slides are coming in. he is standing on it in nothing but black and just loveing his guitar solos. billys room is him and a girl. during his various parts he is talking to her and giveing her nice sexy, lustful looks. during the quiet "fight myself into, you..." part when the keybord is the only thing playing, you see shots of each room every time it changes a beat, when the guitars come in you see billy throw the chick on the bed and procede to rape her, darcy is coverd in men, so you cant see her but you get imperssions, and james jumps off his cliff to form angel wings and fly off with his mistress.

By Julie: the_one_he_adores@yahoo.com



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